The Sustainable Quilt Auction’s first Quilting Bee of the year is on July 28th with 10 teams gearing up to design their fantastic quilted creations. If you are interested in creating/joining a team, please reach out to Abigail French and Mike Iovinelli.
With over 25 years experience servicing the interior design and decorator market; Matthew Wailes specialises in the design, production and installation of the finest hand and machine made carpets and rugs for both residential & commercial applications.
All of our Handmade products are woven exclusively to our requirements by specialised craftspeople in Nepal and China, using only traditional production techniques and the very best quality of raw materials.
In addition to our hand and Machine Made carpets we have a luxurious collection of exclusive Hand Loomed Cashmere Throws/Bedspreads. These are also manufactured exclusively to our own design and colour specifications by the leading Cashmere Weaving House in Kathmandu.
We strongly believe that there are no shortcuts in providing the best possible quality of product and service to our customers; We work only with the leading manufacturers and tradespeople within our specialised industry to help in the creation and installation of our collections.
Metropolitan Museum | Costume Institute
Manus x Machina | Extended Through September 5th
The Costume Institute’s spring 2016 exhibition explores how fashion designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.
With more than 170 ensembles dating from the early 20th century to the present, the exhibition addresses the founding of the haute couture in the 19th century, when the sewing machine was invented, and the emergence of a distinction between the hand (manus) and the machine (machina) at the onset of mass production. It explores this ongoing dichotomy, in which hand and machine are presented as discordant tools in the creative process, and questions the relationship and distinction between haute couture and ready-to-wear.
The Robert Lehman Wing galleries, on the Museum’s first floor and ground level, have been transformed into a building-within-a-building using white scrims. The space houses a series of case studies in which haute couture and ready-to-wear ensembles are decoded to reveal their hand/machine DNA. A 2014 haute couture wedding dress by Karl Lagerfeld for Chanel with a 20-foot train occupies a central cocoon, with details of its embroidery projected onto the domed ceiling. The scuba knit ensemble, one of the inspirations for the exhibition, stands as a superlative example of the confluence between the handmade and the machine-made–the pattern on the train was hand-painted with gold metallic pigment, machine-printed with rhinestones, and hand-embroidered with pearls and gemstones.